Author: John Belton
Publisher: McGraw-Hill Higher Education
ISBN: 0077443470
Size: 14.71 MB
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Language: en
Pages:
Pages:
Language: en
Pages: 480
Pages: 480
Language: en
Pages: 366
Pages: 366
Never HIGHLIGHT a Book Again! Virtually all of the testable terms, concepts, persons, places, and events from the textbook are included. Cram101 Just the FACTS101 studyguides give all of the outlines, highlights, notes, and quizzes for your textbook with optional online comprehensive practice tests. Only Cram101 is Textbook Specific. Accompanys:
Language: en
Pages: 192
Pages: 192
Written by Ed Sikov, this useful study guide has also been updated, including a new chapter on Horror and Science Fiction. The guide introduces each topic in American Cinema/American Culture with an explanatory overview written in more informal language than the textbook; suggests screenings and readings; and contains self-tests so
Language: en
Pages: 287
Pages: 287
Bringing together original essays by ten respected scholars in the field, American Cinema of the 1950s explores the impact of the cultural environment of this decade on film, and the impact of film on the American cultural milieu. Contributors examine the signature films of the decade, including From Here to
Language: en
Pages: 268
Pages: 268
The essays in American Cinema 1890-1909 explore and define how the making of motion pictures flowered into an industry that would finally become the central entertainment institution of the world. Beginning with all the early types of pictures that moved, this volume tells the story of the invention and consolidation
Language: en
Pages: 278
Pages: 278
It was during the teens that filmmaking truly came into its own. Notably, the migration of studios to the West Coast established a connection between moviemaking and the exoticism of Hollywood. The essays in American Cinema of the 1910s explore the rapid developments of the decade that began with D.
Language: en
Pages: 480
Pages: 480
American Cinema/American Culture looks at the interplay between American cinema and mass culture from the 1890s to 2011. It begins with an examination of the basic narrative and stylistic features of classical Hollywood cinema. It then studies the genres of silent melodrama, the musical, American comedy, the war/combat film, film
Language: en
Pages: 264
Pages: 264
This book contends that Hollywood films help illuminate the incongruities of various periods in American diplomacy. From the war film Bataan to the Revisionist Western The Wild Bunch, cinema has long reflected US foreign policy’s divisiveness both directly and allegorically. Beginning with the 1990s presidential drama The American President and
Language: en
Pages: 548
Pages: 548
This is a comprehensive introduction to post-classical American film. Covering American cinema since 1960, the text looks at both Hollywood and non-mainstream cinema.