Author: Leo Ou-fan Lee
Publisher: Univ of California Press
ISBN: 9780520051584
Size: 58.39 MB
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Language: en
Pages: 324
Pages: 324
Language: en
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Language: en
Pages: 294
Pages: 294
China’s literary and cultural production at the turn of the twenty-first century is marked by heterogeneity, plurality, and diversity. Given its complexity, the literary/cultural production of this period perhaps can be understood most productively as a response to a global modernity that has touched and transformed all aspects of contemporary
Language: en
Pages: 286
Pages: 286
Print, Profit, and Perception examines the dramatic knowledge expansion and dynamic cross-cultural exchanges occurring in China and Taiwan from 1895 to 1949. The nine chapters, heavily case-studied, collectively address the co-existence of globalization and localization processes in the period.
Language: en
Pages: 448
Pages: 448
Recognized as modern China’s preeminent man of letters, Lu Xun (1881–1936) is revered as the nation’s conscience, a writer comparable to Shakespeare or Tolstoy. Gloria Davies’s vivid portrait gives readers a better sense of this influential author by situating the man Mao Zedong hailed as “the sage of modern China”
Language: en
Pages: 392
Pages: 392
He was, however, first and foremost a classical scholar, writing some of his best works in classical form.
Language: en
Pages: 544
Pages: 544
World Literature in Theory provides a definitive exploration of the pressing questions facing those studying world literature today. Coverage is split into four parts which examine the origins and seminal formulations of world literature, world literature in the age of globalization, contemporary debates on world literature, and localized versions of
Language: en
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Language: en
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Vols. for 1969- include ACTFL annual bibliography of books and articles on pedagogy in foreign languages 1969-
Language: en
Pages: 132
Pages: 132